Following surgery on his spine, he was unable to walk correctly until eight years old, and as a result his right leg is shorter than his left leg. He has cited the final scene of Butch Cassidy and The Sundance Kid as being a major influence on his works and something he has alluded to many times.
His family was rendered homeless by the big Shek Kip Mei fire of I'm not a master; I'm just a hard-working filmmaker. I would like everyone to see me as a friend rather than a master. I like doves. They look so beautiful, like a woman. For me they represent peace and love and purity. And sometimes they're seen as the messengers of God, so they're important to me because I'm a Christian. So I used that to choreograph his action scenes. I didn't like much of the studio people. Well, there are too much politics and so much going on, and a lot of them have nothing to do with the movie.
It's all about power, it's all about egos. Whenever I got beat up, I got upset, I also ran into the theater to watch a movie. But I have a very strong character, I never surrender, I [am] never afraid, no matter how big they are, how cruel they are, they never beat me down. I didn't have money. I just sneaked in or watched the movie from the peephole. I have found my heaven in musicals. When I watch a musical, it makes me believe life is still beautiful. There are still a lot of beautiful people in the world.
The frustrations of working throughout the American studio system and the lukewarm reception to his later American initiatives like warfare film Windtalkers noticed Woo return to China to make motion pictures.
John Woo may be very a lot an auteur, and he tends to return to the identical themes repeatedly. One of his most well-known visible motifs is white doves, who are sometimes seen flying round throughout intense gunfights in all the things from The Killer to Mission: Impossible 2 , which even noticed a CGI dove flying via a hearth in gradual movement.
In speaking with The Film Stage in , Woo expounded on the that means of doves in his work. Woo stated, " Also, these guys have done some bad things in their lives but their souls got saved in the end, which I also wanted to express through this image. Doves and pigeons are also, in John Woo's mind, messengers of God. It's worth noting Woo has also used butterflies in a similiar fashion in John Travolta's action buddy comedy Broken Arrow and Windtakkers , where a butterfly floats over the corpse of a dead soldier.
Despite the amount of bloodshed in his work, John Woo abhors violence in real life and is deeply religious, so to him the doves ultimately symbolize the soul. A part-time hobby soon blossomed into a career when he discovered he really loved writing about movies, TV and video games — he even arguably had a little bit of talent for it.
John Woo has a way with action. He makes things exciting and thrilling. His techniques here are almost unparalleled. And a lot of the ideas and angles he uses are emulated by filmmakers all over the world today. Let's take a look at how John Woo makes his action intense, and see what we can glean from his mastery. Video is no longer available: www.
Let's get this out of the way before we dig in, John Woo is known for fight scenes and the use of doves. Why doves sometimes they are pigeons! And why doves in slow motion? This juxtaposition is a deliberate use of symbolism. Woo brings a blend of well-composed long takers that make you feel like the fighting is real, as well as rapidly cut footage that intensifies action.
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